The Echoes of Inaction

This is disgusting. Not that Marco Rubio finally got put in the hot seat, but that it took a nation of adults watching children slaughter each other—in classrooms, for twenty years—before they then … sat around Tweeting while they let the children also ask the question, “Why is this happening?” to an elected official.

It’s fucking dystopic that paid, professional reporters would propagate a system that allows these shills and empty shirts sitting in Congress and the White House avoid tough questions regarding the influence of lobbyists and the responsibilities of a democratic government.

I get a lot of people telling me I bitch too much about capitalism, but find any reason in the world why so-called responsible adults will let children shoot each other in the back walking out of class that isn’t tied to who gets paid at the end of the day. The ruling class will not care about school shootings unless one happens at some private prep academy where a kid with an inherited future in the C-suite of a Forutne 500 company dies.

This fucking country.

Posted to Social at 08:59 on 22 February 2018

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Some Assembly Required

Posted to Work at 08:41 on 22 February 2018

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An Ongoing Love Affair With Linework

Lost Lands

I have been filling sketchbooks.
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Posted to Work at 11:35 on 18 February 2018

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Mountains Beyond Mountains

Mountains Beyond Mountains

Posted to Personal at 09:04 on 17 February 2018

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Ad Nauseam

It’s pretty fucking sickening we live in a time and place where reading that fifteen high school students are dead in a random, gun-related attack feels repetitive.

In case you don’t click on the link: it is February 14, 2018. We are 45 days in to the year and this is the eighth shooting at a school in America.

Posted to Social at 15:06 on 14 February 2018

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Execute The Executive Class

America has been reduced to financial success being the only qualifier for authority that matters. A market-obsessed economy will allow any rich individual to move from business to business, because to the market the only thing that matters is consistent profit. Athletes hosting venture capital dinners. Billionaires controlling news businesses they do not understand and leave to destroy. The rich shooting cars in to space for fun while the national potential for social pride in a space race remains uninspired. And the most damning evidence of all, President Fuckhead McTelevision.

The thing is, when the vapid influence of money has corrupted basically every last remaining American institution, nothing remains to speak for hope. It’s tough enough to watch the Olympics—the type of event that hope is sort of designed for—with all the bullshit they bring along while ignoring controversy. We’ve sold out our cultural bottom line, and nothing remains in America that seems worthy of faithful devotion.

Posted to Social at 12:04 on 14 February 2018

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Information

Welcome to Distorted Perspective. A brief introduction—

—Colin Smith. Born 1982. Some punk rock kid turned multidisciplinary artist & graphic designer-type. An Alaskan in Oregon by way of New England, Georgia, Texas and California looking for hope in the wind. Working in the various languages of truth, systems and identity.

I create works of assembly. Taking a variety of disparate components in any given medium and attempting to build a cohesive whole, I look to mimic the disorder and confusion our conflicted, human lives end up creating naturally through time. My focus is not to communicate through any single process but rather create a language that translates across aesthetic approach; a message that resonates by any means of interaction.

Contact

E-Mail: colin at distorted perspective
Instagram: @aglowinthestatic, @colin.smith.art

Colophon

Distorted Perspective was registered in 1999; it has taken many forms since. Work from the project galleries is 2009-2017. All original content is © to Colin Smith. Please link back to work featured on blogs; contact for any other rights to republication.

The site is a custom built WordPress theme based in the Skeleton framework. The front page utilizes the Responsive Slides script. It is typeset in Bookman JF, Acumin and Vendetta via Typekit.

Elsewhere

Jacob Edwards, a softer world, Carey Young, Matt Dorfman, Neasden Control Centre, void(), Jordan Swartz, Leica Blog, Carola Di Poi, The Baffler, Ilir Bajraktari, Ai Weiwei, Brand New, Noele Lusano, Dane Pollok, McSweeney's, Josh Mason, Artsy, Heidi Uhlman, Design Observer, LOKI, 99% Invisible, Rob Morton, William Basinski, Constellation, Matthew Woodson, AFRU, In B#, This Isn't Happiness, Ryan McCune, Godspeed You! Black Emperor, {ths}, Banksy, Morning Breath, Sarah Symmonds, Chapo Trap House, AWAKE, Hyperallergic, Jessica Clary, Manual, Contemporary Art Daily, Jeanne Fries, Shea Serrano, Robert Singler, Edward Tufte, process.life, Digg, Jacobin, Alex Webb, Jenny Holzer, Art21, Jeremy Okai Davis, David Carson

Exhibitions

Current

* - Denotes group show